A figure bible is one’s heart and soul of an animation series. With no proper character bible you cannot even get started on conversing with anyone about your concept. I have experienced many character bibles from producers around the globe in the past few years asking for co-production collaborations. I’ve seen really good ones and absolutely dreadful ones. Having received several questions asked regarding what goes into a figure bible, I’ve written this entry to provide some insight with this topic. Here are the many ingredients that will make up a good character bible.
It is totally important to truly have a synopsis in your character bible. This is the foundation that you build your whole story upon and it ought to be concise, however, not verbose enough such so it can’t be read or explained in 3 minutes or less. Try to make this a one-pager if possible. The shorter you may make this and still keep it interesting, the better.
Include the designs of the main characters in your character bible. Be sure to spend lots of time to make them look good and ensure they do justice to your concept. A figure bible should be more visual than wordy, showcasing the type designs to its fullest – with various poses and expressions of the key characters. Props – if any – should also be showcased. They’re extremely important to exhibit the potential of the characters whenever they become animated or licensed for various reasons oppai mousepad. People reading the type bible need certainly to have the ability to feel the characters for who they’re and get an idea of the show through these character designs.
Ideally text descriptions of the characters shouldn’t be verbose, because few people would really read all that text. The character descriptions should outline only the main characteristics of the characters to help keep things short and quick to read. The visuals should pre-sell, and the writing do the selling.
It could be good to showcase certain key locations and also provide illustrations or storyboards of how the world of the property looks like.
Fundamentally, it could be good to leave as little guess-work to the perspective partners as you are able to, so your brand identity and values of the property is not compromised.
Lastly – for home that is being primed for animation – you might want to add something called an’episodic synopsis’- which outlines the stories which could happen in an animated series. They’re usually done by a’script doctor’- who is able to also help in refurbishing the complete story background and character descriptions.